April, 2010 Archive

Asides, Live Action, Music Video

Brett Domino: Justin Timberlake Medley

What more could you want from a #musicmonday than a Justin Timberlake Medley? Genius. Just plain genius! via @Ayz Brett Domino: Justin Timberlake Medley.

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Animation

The Conception of Wine

Aside from being a visual feast, one of the strengths of motion graphics is its ability to break down dense information and present it in an easily, digestible

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Live Action, Podcasts

DN160: Off Season – Jonathan Van Tulleken

Shooting a short can be, and often is, a gruelling experience; so filming in -25ºC temperatures is something most would avoid. Luckily for us director

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Animation, Asides

Dim the Lights for Parallel Lines

Last month El Vez teased us all with a trailer for the Philips / Ridley Scott Associates project Parallel Lines (the bastard!) – which would culminate in

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Animation

Opera Dulcineia & Trancoso

Stepping out from the usual beat of film titles, short films, and commercials, Marcelo Altino Garcia’s studio Molho picked up the commission to conceive

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Live Action

A Human Sausage, a Human Torso, and Maybe Myself

Airports are meant to be transitory spaces; they are bleak and filled with transitory merchandise. At least, they should be, unless you’ve made a really

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Animation, Music Video

JUL & MAT

Although varied in execution and style the binding element of JUL & MAT promos is well thought out simplicity carried out with a playful precision

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Animation, Art & Fashion

555 Kubik – Urban Screen

If you’ve ever wondered How it would be, if a house was dreaming? Urban Screen have the answer. Specialising in transforming the sides of buildings with

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Animation, Art & Fashion, Asides

Max Hattler: New Films + New Job

Max Hattler delivers a transfixing pair of animation loops inspired by French outsider artist Augustin Lesage's paintings.

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Asides, Documentary

Ore-Kream Two

We get to see the offspring of a Canon 7d Redrock cinema package, Sony Ex1 & letus ultimate setup in Logan Triplett & Adam Kirschhoffer’s 'Ore-Kream Two'.

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