We’ve put all the personal torment of 2011’s top ten lists behind us now, which leaves only the mathematical precision of the overall DN top ten. I think this year has seen the least amount of crossover between our picks, which means the films below are as diverse as we could get and a nice cross section of our tastes as a whole.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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