In Gervasio Rodriguez Traverso and Pablo A. Díaz’s Copia A, a projectionist finds that a glitch in his equipment gives him a glorious new sense of freedom, but even the best gear can only take so much abuse.
About the Author / MarBelle
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
