Author

About the Author /

Redmond Bacon is a Berlin-based critic with opinions on all things film. He is a regular at festivals such as Berlinale and Locarno, going deep on the topics that matter. You can find him on Twitter @RedmondBacon or read his musings on film at journeyintocinema.com.

Everybody Knows

Music Video, Premiere

Daria Geller’s ‘Everybody Knows’ Updates a Leonard Cohen Classic for Today’s Era of Russian Aggression

Daria Geller talks to us about counting the tragic cost of Russian complacency through warm 16mm, striking group scenes and a smart Leonard Cohen cover.

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Hymn To Infamy

Live Action, Premiere

The Violence of the Milanese Underworld Hits Hard in Vivarinis Film ‘Mascagni’ Symphony | Inno all’Infamia’

Alessandro & Flavio Vivarini discuss creating a haunting ode to Italian gangsters with heavy contrasts, religious images and floating widescreen frames.

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Dead End

Live Action, Premiere

Masculinity Is a Toxic, Menacing Curse in Dima Barch’s Gripping Queer Russian Horror Short ‘Dead End’

Dima Barch walks us through his use of long takes, dynamic lighting set-ups and an ambiguous mode to create an ambitious and menacing queer horror film.

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Art & Fashion

Kai Kurve’s Poetic and Propulsive ‘CORNERBOY’ Confronts the Corruption at the Heart of a Gangster’s Life

Kai Kurve shares how he created a dance hallucination of an eternal downfall with propulsive music, magic realist flourishes and a noirish tone.

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Gwendoline

Live Action

Joaquim Bayle’s ‘Gwendoline’ is a Delightfully Deadpan Tribute to Being Struggling Musicians on the Road

Joaquim Bayle shares how black and white Super 16mm images, a deadpan style and a balance of sincerity and absurdity perfectly suited his band film.

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Art & Fashion, Live Action

Josh Leong’s ‘Sorry You Have to See This’ Empathetically Portrays Both Sides of a Mental Health Crisis

Mixing experimental dance with realist movements and non-diegetic with diegetic cues Josh Leong explains how he immersed us in a moving mental health story.

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Live Action

Pavel Kling’s Evocative Short ‘Bad Timing’ Acutely Captures the Cost of Leaving Everything Behind

Pavel Kling explains his use of immersive sound design, innovative lighting techniques and trick shots to depict a woman's decision to leave Russia.

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Fár

Film Festival, Live Action

Gunnur Martinsdóttir Schlüter’s Cannes Special Mention Short ‘FÁR’ Pits the Law of Business Against Nature

Gunnur Martinsdóttir Schlüter shares how she imbued an everyday scenario with a deep moral dilemma through the use of tight frames and an ambiguous tone.

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Animation, Film Festival

Flóra Anna Buda’s Palme d’Or Winning Animation ’27’ Boldly Embraces Sexual Fantasy Within Economic Limbo

Flóra Anna Buda talks about creating a new kind of intimacy in animated erotica in her portrait of a woman's sexual desires and financial restrictions.

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Live Action, Premiere

Ajuàn Isaac-George’s ‘Snowfalls in the Summer’ Captures the Ups & Downs of Family Life as the Years Roll By

Ajuàn Isaac-George reveals how he collapsed a family's lifetime into minutes through clever editing, precise dialogue and detailed character backstories.

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The Red Sea Makes Me Wanna Cry

Film Festival, Live Action

Faris Alrjoob Crafts a Beguiling Mystery of Love with Cannes-Premiering Short ‘The Red Sea Makes Me Wanna Cry’

Through enigmatic voiceover, elliptical editing and gorgeous Super 16mm frames, Faris Alrjoob reveals how he created a mysterious reverie on closure.

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Live Action

Simone Smith’s Surreal Short ‘The Möbius Trip’ Explores the Inner Madness of All Chaotic Families

Simone Smith explains how she used visually outré imagery, claustrohobic frames and rear projection to find the madness of a chaotic family.

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