Using 16mm film, Japanese-inspired costuming and shooting at Princeton University, Kevin Vu takes DN inside his zany tale of sisterly conflict.
Julien Soulier discusses blending VHS footage with 16mm, voiceover with intimate access in his tender portrait of finding freedom through gymnastics.
Art & Fashion
Camila Arroyo outlines the intense self-reflection and on the job learning required to feature in and direct her collaborative dance/fashion film.
Kristian van Kuijk describes shooting with a vintage Bolex for his expressive 16mm dance film which re-imagines the use of descriptive audio.
Alice Fassi explains how shooting on 16mm helped to provide artistic integrity and avoid a stereotypical ad look for her branded film.
Govinda Van Maele explains how embracing creative restrictions led him to find originality when directing his 16mm virus drama 'Mutations'.
Director Jordan Findlay breaks down the complex 50-light lighting rig required for the ethereal visuals of his experimental 16mm short.
Directing duo Vira-Lata talk to us about utilising the gritty feeling of authenticity lent by expired 16mm stock in their sensorial Terno Rei music video.
DN alum Colin Read explains the intricate technical solutions needed to execute his frozen skateboarding 104 pinhole camera Converse short ’Time Web’.
NONO talks digging into Andalusian identity and channelling it into a timeless 16mm portrait of death, loss and mysticism in 'Fandangô de Carmen Porter'.
DN caught up with Harry Lighton to discuss shooting summer-for-winter on 16mm and subverting audience expectations in BAFTA nominated short 'Wren Boys'.
Shot on 16mm, Super8 & Hi8, director Guillermo Irriguible Loren joins us to discuss his ode to nostalgia and the golden era of analogue instruments.
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