We speak to Jessica Barr about embracing the art in social cause filmmaking for her disturbing short about a woman who has her sexual agency taken from her.
Harv Frost digs into how she brought the decadent visual world of The Last Dinner Party to life in her intoxicating horror-inflected multi-video short film.
Naomi Christie speaks about the micro-aggressions and lived experiences which informed the seedy reality of her darkly comic tale of race objectification.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
Martí Arbaizar details the trial and error approach to editing that led to the unified feeling of his doc about disparate lives united by a passion for dance.
Melina Valdez unpacks her process of weaving magical realism into a grounded narrative informed by personal experience to portray the tumult of teenage grief.
Luke Brookner delves into using 16mm & 35mm to represent the dual timelines of his film depicting the struggle of leaving behind an upbringing in foster care.
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