Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Katia Shannon reveals how she approached subverting the commonly held reductive vision of growing older in her passionate dramedy about long lost lovers.
Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his budding romance short.
Melanie Cura Daball reveals why an ethical approach was an essential pillar in the making of her hybrid doc about her friend's battle with a bipolar diagnosis.
Beru Tessema walks us through giving his actors room to embody the meaning of scenes through improvisation for his short about Britain's dysfunctional systems.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
Isher Sahota explains how he struck the right tonal balance of comedy and skulduggery for his darkly comic period drama about self-interested backstabbing.
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