Kitty Percy's short roots for solidarity over romance as a lonely woman on a roadside in a wedding dress realises she's been waiting for the wrong thing.
Keifer Nyron Taylor unpacks how years of photographing Brixton laid the foundation for his 16mm depiction of a vibrant community threatened by gentrification.
Using long, slow takes, Caleb J. Roberts details drawing us almost uncomfortably close into his tender and intimate relationship between on-off-again lovers.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Katia Shannon reveals how she approached subverting the commonly held reductive vision of growing older in her passionate dramedy about long lost lovers.
Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his budding romance short.
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