Samuel Häkkinen & Henna Välkky talk pre-shoot planning and splitting creative responsibilities on set for their dark comedy poking fun at decision paralysis.
Chirs Parton talks about bouncing between his writer and director roles when tweaking the script on the set of his comedy about a couple's cohabitating woes.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Remi R.M. Moses explains the alternate directorial approaches used for the adult and child actors in his intimate drama about a father struggling to find hope.
Harry Sherriff returns to reveal how his creative development at the NFTS informed his latest nightmarish comedy about a man pitted against his doppelgänger.
Edoardo Ulivelli discusses the catharsis of putting his own insecurities into his short film following a young man unable to decipher romantic advances.
Yanghuixiao Gao describes using natural light to ground her drama short exploration of the complexities of mother-daughter relationships in authentic realism.
John Mark Fitzpatrick discusses the key role intimacy coordinators played in the making of his romantic short about the walls we build around ourselves.
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