Grace Tan navigates personal grief and the physical vocabulary of pole dance to transform Madison Godfrey’s memoir-in-verse into a triumphant short film.
Co-directors Jessie Oldfield & Adam Murfet detail their use of a wordless dance to express a shared journey from dark isolation to vulnerable connection.
Faced with a flawed ending, George-Alex Nagle explains how a reshoot led to a more complex and ultimately superior conclusion for his fraught familial drama.
David Ma reveals how long lenses and a documentary approach grounded his film about a blooming romance between a dim sum shop assistant and a street performer.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
Nick Richardson shares how the women he grew up around inspired his intimate character study of a middle-aged woman who suddenly finds her life in freefall.
Lucy Knox jumps into her newest offering weaving the collective hopes, dreams and fears of a generation tipping into adulthood into a cultural snapshot of now.
VERSUS breakdown the collaborations at the heart of their love letter reframing of Opera in Sydney's underground which pays homage to its iconic institution.
Stefan Hunt talks blending the rambunctious reality of Australian masculinity with the expressive qualities of dance in his boisterous choreographic short.
Michael Anthony Kratochvil extols the rewards of rejecting appeasement and embracing the creative instinct of the peculiar for his trippy sci-fi horror short.
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