Gareth Bowen distils the infusion of gritty, zoom-lensed camerawork and medieval tomfoolery that lies at the heart of his paranoid medieval-set dark comedy.
Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his budding romance short.
Melanie Cura Daball reveals why an ethical approach was an essential pillar in the making of her hybrid doc about her friend's battle with a bipolar diagnosis.
Beru Tessema walks us through giving his actors room to embody the meaning of scenes through improvisation for his short about Britain's dysfunctional systems.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
Isher Sahota explains how he struck the right tonal balance of comedy and skulduggery for his darkly comic period drama about self-interested backstabbing.
Ajuàn Isaac-George reveals how he collapsed a family's lifetime into minutes through clever editing, precise dialogue and detailed character backstories.
We speak to Calvin Demba about creating a timeless feeling for his dark AI relationship comedy about a misogynistic man falling victim to his own toxicity.
Luke Bather shares how he captured the ridiculous comedy of his farcical short film adaptation about a follicly challenged man who finds his community.
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