Victor Nauwynck discusses how pivoting from a planned, restrained visual style to reactive handheld cinematography unlocked his film's animalistic crescendo.
Imran Perretta details using black & white to recast Luton as a timeless landscape in his story of a friendship torn apart by a racially profiled police
Luís Hindman breaks down his maximalist approach of building three distinct spaces within a busy British Pakistani takeaway for his LFF premiering short.
Self-shot over two decades, Victoria Mapplebeck details the epic scale of her feature doc which dispels the unrealistic expectations we have about motherhood.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Sandhya Suri discusses her decade-long journey to bring Santosh to life, blending crime thriller tension with a searing critique of gendered violence in India.
Matty Crawford chats to DN about building the horror fuelled landscape of his psychological drama about a lonely parent suffering from empty nest syndrome.
Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Sophie Compton & Daisy-May Hudson extol the benefits of the co-created trauma-informed filmmaking model underpinning their LFF award winning documentary.
Cécile Embleton & Alys Tomlinson speak to us about the multi-year journey of their Grierson Award winning doc about a young nun facing deep inner conflict.
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