Joshua Trigg shares how he overcame the logistical nightmares of poisonous wells, a broken camera and losing half the funding for his debut indie feature.
Sandhya Suri discusses her decade-long journey to bring Santosh to life, blending crime thriller tension with a searing critique of gendered violence in India.
Karan Kandhari on directing his debut feature, protecting his vision, capturing the nuances of marriage & why laughing audiences are the ultimate drug.
Christopher Andrews reflects on the destructive nature of toxicity in his BIFA winning debut pitting Christopher Abbott & Barry Keoghan against one another.
DN speaks to BIFA nominee Joshua Trigg about shooting in Laos with limited film stock & non-professional lead actors for his self-financed 16mm feature debut.
BIFA winning director Christopher Andrews speaks to us about his use of a shifting visual language to ratchet up the tension in his bold feature debut.
A film for all the misfits who've misplaced their manuals for life, DN sits down with Karan Kandhari to dig into the making of his genre-bending debut feature.
Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
DN caught up with Eros V to learn how a conversation with The Jim Henson Company inspired his surprising man-child possessed by a puppet comedy-horror short.
Eros V reveals the lo-fi techniques used to bring a possessed puppet to life for his BIFA nominated short about a man-child who desperately need to grow up.
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