DN alum Harry Lighton discusses crafting a visual language that finds the tenderness within the transgressive intimacy of his tender tale of queer first love.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Baz Sells, Dean Atta & Ben Jackson trace the five-year journey of bringing their animated short to life, a stop-motion tale of self-acceptance and queer love.
Cal McMau reveals how he embraced tight confines when choreographing the violence in his BIFA-nominated debut feature portrait of a merciless prison ecosystem.
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Laura Carreira explains why removing antagonists sharpened her film's critique of the gig economy and its deleterious effect on he isolated Portuguese migrant.
Mac Nixon discusses building a timeless and stark world in his monochrome horror, where a lone farmer becomes the target of his neighbours' panicked fear.
Imran Perretta details using black & white to recast Luton as a timeless landscape in his story of a friendship torn apart by a racially profiled police
Luís Hindman breaks down his maximalist approach of building three distinct spaces within a busy British Pakistani takeaway for his LFF premiering short.
Self-shot over two decades, Victoria Mapplebeck details the epic scale of her feature doc which dispels the unrealistic expectations we have about motherhood.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
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