Chad Corhan explains how intensive same-room writing sessions shaped his breakneck surreal comedy about social anxiety during an existential personal crisis.
From static shots to controlled chaos, Max Kane breaks down how he used dynamic cinematography to mirror his protagonist's emotional psychological journey.
Ada Player & Bron Waugh explain how they adapted their stage monologue for film, found London's loneliest brutalist locations and crafted a loveable doormat.
Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
Sam Baron reveals how camerawork, coordinated stunts and top-notch performances combined to enhance the dark comedy of his bloody office survival short.
Colin O'Toole talks about using tension as the narrative fuel of his comedy where a couple in a waning marriage try an unconventional method of reconnection.
Dave Paige shares the inciting awkward massage which triggered his amusement, sparking the idea for his darkly comedic tale of socially anxious politeness.
Karan Kandhari on directing his debut feature, protecting his vision, capturing the nuances of marriage & why laughing audiences are the ultimate drug.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.