Louisa Connolly-Burnham discusses using long takes to place us in the visceral tension of her depiction of a woman's lack of consent being repeatedly ignored.
Demitri Zujew delves into the importance of representing "strong eat the weak" culture for what it is and his use of origami as a potent narrative symbol.
Joshua Trigg shares how he overcame the logistical nightmares of poisonous wells, a broken camera and losing half the funding for his debut indie feature.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
Sandhya Suri discusses her decade-long journey to bring Santosh to life, blending crime thriller tension with a searing critique of gendered violence in India.
Love, hope and apples on the Kashmiri border, DN speaks to Onir about surmounting censorship for his tale of forbidden romance amid the chaos of conflict.
Leve Kühl explains the power that POV had to place viewers within the perspective of someone seeking safety and stability for his refugee's journey short.
Karan Kandhari on directing his debut feature, protecting his vision, capturing the nuances of marriage & why laughing audiences are the ultimate drug.
Leo McGuigan discusses blending nostalgia with realism in his short which captures the complexities of childhood as 3 boys attempt a daring cigarette heist.
Alex Bush talks about reappropriating tropes of classic melodramas for their proof-of-concept short where two friends begin exploring their gender variance.
David Leon reveals how he tonally distinguished the three worlds of his allegorical tale cautioning against making the same mistakes as those who came before.
Lucas Vilicich unravels how his short evolved from screaming frustrations at the world to engaging audiences with a comedic forewarning against technology.
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