Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Jeroen Kooistra recounts how a shared creative itch evolved into his stark short film exploring how our need for belonging can be manipulated to serve others.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
From NFTS first year film to Cannes red carpet: Vida Skerk reflects on embracing subtlety over spectacle for her history making La Cinef selected short film.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
VERSUS breakdown the collaborations at the heart of their love letter reframing of Opera in Sydney's underground which pays homage to its iconic institution.
Alexander Jeremy trumpets the lofi manifesto which has enabled him to continually develop his filmmaking creativity free from gatekeeping financial barriers.
Dan Braga Ulvestad takes us inside the stripped-back approach, actor trust and delicate existential dialogue which were central to his grounded breakup short.
Giada Bossi breaks down how she and musician Arssalendo built a visual/sonic journey capturing the vibrant euphoria and profound introspection of adolescence.
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