"There’s nothing funnier than what’s not said." Kyle Jon Shephard on the high comedy glances in his film about a father whose ego refuses to read the room.
Isabella Eklöf talks to DN about her TV adaptation of Nick Cave's novel, starring Matt Smith as a sex addicted salesman in what may be his best performance
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Faced with a flawed ending, George-Alex Nagle explains how a reshoot led to a more complex and ultimately superior conclusion for his fraught familial drama.
Jeroen Kooistra recounts how a shared creative itch evolved into his stark short film exploring how our need for belonging can be manipulated to serve others.
David Leon reveals how he tonally distinguished the three worlds of his allegorical tale cautioning against making the same mistakes as those who came before.
Freddie Bonfanti breaks down the intersection of masculinity and nature in crisis providing the backdrop to his unsettling, family-centred horror short.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Remi R.M. Moses explains the alternate directorial approaches used for the adult and child actors in his intimate drama about a father struggling to find hope.
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