Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
Mixing experimental dance with realist movements and non-diegetic with diegetic cues Josh Leong explains how he immersed us in a moving mental health story.
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