Harry Sherriff returns to reveal how his creative development at the NFTS informed his latest nightmarish comedy about a man pitted against his doppelgänger.
Ben S. Hyland reveals how he used misdirection to great comic effect in his short about a bickering couple investigating a strange unidentifiable noise.
Director Max Lincoln talks about devising imaginative kills and being inspired by the ruthless nature of the creative industries for his bloody comedy-horror.
Dima Barch walks us through his use of long takes, dynamic lighting set-ups and an ambiguous mode to create an ambitious and menacing queer horror film.
Benjamin Roberds tells DN how keeping his crew small allowed him to maximise his creativity during the pre-production of his role reversal horror comedy.
Eli Powers tells DN how leaning into the genre elements of his concept enabled him to creatively flourish when mapping out the script of his tense horror.
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