Riccardo Fusetti walks through the construction of his lifestyle short which uses 80 AI VFX shots to subvert our expectations of a model's carefree existence.
Johannes Moe unpacks how Denmark’s mental health system failures reshaped his film and why humour was an essential element of its devastating narrative.
Challenging outmoded perceptions of what’s socially acceptable, Priscilla Galvez explains why being banned by YouTube is a badge of honour for her short.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
DN caught up with Eros V to learn how a conversation with The Jim Henson Company inspired his surprising man-child possessed by a puppet comedy-horror short.
Eros V reveals the lo-fi techniques used to bring a possessed puppet to life for his BIFA nominated short about a man-child who desperately need to grow up.
Writer/Director Nicholas Payne Santos returns to DN and reveals why the visual effects had to be practical on his unnerving, grief-stricken horror short.
Michael Anthony Kratochvil extols the rewards of rejecting appeasement and embracing the creative instinct of the peculiar for his trippy sci-fi horror short.
Freddie Bonfanti breaks down the intersection of masculinity and nature in crisis providing the backdrop to his unsettling, family-centred horror short.
Harv Frost digs into how she brought the decadent visual world of The Last Dinner Party to life in her intoxicating horror-inflected multi-video short film.
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