With flickering TV screens, tentative voiceover and talking-head testimony, Daire Collins explores a fear-laden prepubescence with 'For Emergency Use Only'.
Sam McMullen breaks down the key visual concepts he employed to translate his Irish black comedy 'The Cocaine Famine' from a well-known play to short film.
Lenny Abrahamson digs deep into TV series 'Normal People', from working with an Intimacy Coordinator for the first time to making subtle stories resonate.
Director Lorcan Finnegan returns to DN for an extensive discussion about creating the disturbing (un)reality of his feature sci-fi thriller 'VIVARIUM'.
Carol Freeman reveals how a team of animators worked error-free for 14 months across nearly 4500 paintings for paint-on-glass short 'The Bird & the Whale'