Lewis Arnold shares the impetus behind the Directors Now initiative, a 105-strong collection of filmmaker testimonies about breaking into the industry.
John Ogunmuyiwa embarks on a delicious exercise of audience baiting in expectation defying, day in the life of 2 South London drug dealers short 'Mandem'.
Myriam Raja discusses her time at the NFTS, doubling rural Spain for 1800s India & utilising the power of silence in her coming of age grad short 'Azaar'.
We speak to NFTS graduate Haolu Wang about anchoring magical realism with a grounded psychological journey of trauma and loss in 'The Pregnant Ground'.
DN talks with Alice Seabright about the crowdfunding process, making art about taboo topics and recognising humour in dark times for comedy drama 'End-O'.
A man becomes consumed by the fear he may have done something terrible on a night out in Dee Meaden's disquieting study of consent, guilt and masculinity.
DN kicks off a monthly showcase of Dee Meaden's work with 'Good News', the story of a religious community disrupted by the arrival of a contrary newcomer.