"There’s nothing funnier than what’s not said." Kyle Jon Shephard on the high comedy glances in his film about a father whose ego refuses to read the room.
Shifting from a dialogue-heavy script to a more atmospheric flow, Andrew De Zen discusses crafting a visual poem about the choices we make in a world on fire.
With close-quarters craft, student director Meyer Levinson-Blount transforms collective trauma into an intimate portrait of one man's quiet fight for dignity.
With a considerate dual-audience approach J.P. Vine captivates with a story where kids see a space adventure & adults feel the weight of an overwhelmed father.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Matty Crawford chats to DN about building the horror fuelled landscape of his psychological drama about a lonely parent suffering from empty nest syndrome.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Kerry O’Neill discusses building an atmosphere of chaotic adventure in her short about a mother & her adolescent child's mission to sell a stolen laptop.
Hannah Renton breaks down the challenge of building cohesion between the individual yet joined parts of her triptych film depicting the complexities of love.
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