Kevin Slack shares how he embraced the creative freedom of spontaneity in 'Week One', the intimate story of a grieving woman's recollection of her father.
Bill+Brown discuss collaborating with writer Anisa Nandaula on gut punch film 'The Year is 2020' which calls out Australia’s draconian refugee policies.
DN talks with Abigail Horton about the shooting process behind 'A Few Activities', a comedy short that brings the absurdities of everyday life into focus.
Grant Conversano joins DN for a chat about dramatic short 'Where Mothbloods Bloom' the story of two strangers who find a connection while at a truck stop.
DN kicks off a monthly showcase of Dee Meaden's work with 'Good News', the story of a religious community disrupted by the arrival of a contrary newcomer.
Kristian Melom tells DN about making the cerebral visual in his lyrical portrait of New York Times Best-Selling author Jason Reynolds, 'Dear, Dreamer'.
Tanmay Chowdhary discusses the unconventional approach of hybrid narrative-doc 'Color of November', a portrait of the relationship between two young women
We talk the fallibility of parents, the importance of subtle storytelling and Tinder as a casting tool with 'Somebody's Daughter' director Shalini Adnani.
Erlendur Sveinsson explains how a shocking life experience led to the creation of 'Kanarí', an immersive, subjective exploration of the human condition.