Made over a two year period in spare time with zero budget and a lot of help from friends, Sam Taylor and Bjorn Aschim’s animation Everything I Can See
Not one to select projects due to their ease of execution, director Joseph Ernst hit the streets of London with a 100 year old hand cranked 35mm camera for
One of the few directors we’d trust to guide us through the web of lies at the centre of The Great Hip Hop Hoax documentary is our dearest of filmmaking
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