Dissecting heteronormativity and queer repression in the film industry, Alyssa Aldaz recounts how her liminal queer drama began with an evocative dream.
Chad Corhan explains how intensive same-room writing sessions shaped his breakneck surreal comedy about social anxiety during an existential personal crisis.
From static shots to controlled chaos, Max Kane breaks down how he used dynamic cinematography to mirror his protagonist's emotional psychological journey.
Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
Julia Godfrey & Will Abbott talk about creating a disorientatingly cohesive world where two friends manically unravel in the 24 hours after a hit and run.
Leah Lofitn unpacks the rapid, bare-bones process used to create her expressionistic non-fiction short portraying first-person Ukrainian wartime experiences.
Dave Paige shares the inciting awkward massage which triggered his amusement, sparking the idea for his darkly comedic tale of socially anxious politeness.
Alex Bush talks about reappropriating tropes of classic melodramas for their proof-of-concept short where two friends begin exploring their gender variance.
Lucas Vilicich unravels how his short evolved from screaming frustrations at the world to engaging audiences with a comedic forewarning against technology.
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