Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
Julia Godfrey & Will Abbott talk about creating a disorientatingly cohesive world where two friends manically unravel in the 24 hours after a hit and run.
Leah Lofitn unpacks the rapid, bare-bones process used to create her expressionistic non-fiction short portraying first-person Ukrainian wartime experiences.
Dave Paige shares the inciting awkward massage which triggered his amusement, sparking the idea for his darkly comedic tale of socially anxious politeness.
Alex Bush talks about reappropriating tropes of classic melodramas for their proof-of-concept short where two friends begin exploring their gender variance.
Lucas Vilicich unravels how his short evolved from screaming frustrations at the world to engaging audiences with a comedic forewarning against technology.
Bill Morrison discusses the defined parameters he adhered to when constructing his haunting Oscar nominated documentary short about a 2018 police shooting.
Adam J. Graves reveals how he balanced the dark realities of fast fashion's child labour with moments of joy, resilience and hope in his Oscar nominated short.
Molly O'Brien takes DN inside the creation of her Netflix Oscar winning doc short about the trailblazing musician Orin O’Brien and her beloved instruments.
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