Things get bloody in Bob Pipe’s comedy horror short The Monster, when a genteel Hammer-era monster attempting to resurrect his film career, falls for his leading lady on the set of a modern day slasher.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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