Josh leans towards films that go against your average vibe, think ‘weird, wonderful and slightly messed up’. If he’s not sat writing about them, you might catch him sat with his friends arguing why they’re a good watch.
Callie Carpinteri recounts the motivation that led her and Emma Parks to provide a fresh take on sex, shame and self-worth in their coming-of-age short film.
“I wanted to make a film as naive and honest as a child’s drawing.” Andzej Gavriss on stripping away cynicism to craft a refugee story replete with hope.
Iria López & Daniela Negrín Ochoa discuss the evolution of their animated visual love letter dedicated to an 11 year anniversary of fruitful collaboration.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
Lucy Knox jumps into her newest offering weaving the collective hopes, dreams and fears of a generation tipping into adulthood into a cultural snapshot of now.
Rolf Hellat delves into his experimental documentary which combines themes of culture, identity and bodily transience into an enthralling audiovisual poem.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Demitri Zujew delves into the importance of representing "strong eat the weak" culture for what it is and his use of origami as a potent narrative symbol.
Kyle Jon Shephard explains how he expanded an initial spark of silliness into a fully formed, delightfully awkward dead-pan comedy short about insecurity.
Anna J. Takayama talks shooting in Tokyo and colour as a narrative tool whilst dissecting the creation of her multi-award winning film about an ageing actress.
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