Fully computer-generated, Simon Robson discusses the making of his urgent call to action animation, a potent metaphor for environmental wastefulness.
Aardman animator Marnik Loysen explains how he channelled his millennial angst into a stop-motion comedy short about generational conflict...and avocados.
Jenny Wright & Jake Cunningham break down the reflective sensibilities and minimal animation style of their charming short about independence.
Philipp Yuryev talks about giving voice to those victims the Kremlin tries to silence through a careful blend of live-action and storybook stop-motion.
Jack Gray tells DN how his love of people watching informed the genesis of his animated paean to the cyclical nature of everyday mundane tasks.
Co-Directors Henna Välkky and Eesu Lehtola tell DN how they sought to visually evoke the sensibility of dreams for their animated documentary.
Olivier Lescot discusses deploying flowing movements, an impressive one-shot, a fine sense of myth and a propulsive tone for his kinetic car chase short.
Matt Genesis reveals how he blended stylised animation with live-action stunts in his ambitious music video for Xavier Goodman.
Les Mills describes the 35 year evolution of his creative partnership with Animator Joanna Quinn which led to their Oscar and BAFTA nominated short film.
Antonin Niclass unpacks the challenge of blending drawn 2D characters into a fully-crafted stop motion set for his melancholic NFTS short.
Ida Melum guides us through the unique joys of the stop motion animation process of her film about a sleepless encounter with unwanted guests.
Tomek Suwalski breaks down his live-action approach to CGI animation for the cinematic trailer of revered apocalyptic action-shooter Dying Light 2.
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