Zachary Rubin talks to us about using careful, retro framing, a claustrophobic atmosphere and a deadpan spirit to question the potential of future tech.
Uzo Oleh details the motion control and in-camera practical effects he deployed to ask if we can trust our intuition in his moody sci-fi chamber piece.
Phumi Morare reveals how she authentically represented her apartheid set Student Oscar-winning film about a woman's determination to protect her family.
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