Nikita Kibirev breaks down the process behind the distinct colour-rich visual aesthetic of his promo exploring jealousy, obsession and toxic masculinity.
Alessandra Leone tells DN how she channelled the malleability of Zoe Mc Pherson's track into the ever evolving form of her experimental video.
Gerhard Funk tells DN how shifting production into Virtual Reality gave him the creative boost needed to finish off his hallucinatory animation.
Animation, Music, Premiere
Karl Poyzer explains how he embraced the freedom offered by animation and free application Blender for his cityscape-based science fiction music video.
Matt O'Donnell describes the pleasure of creating the 3D animation behind the vivid world featured in his short film.
Amanda Forbis & Wendy Tilby explain how they blended 2D and 3D animation techniques with live action for their explosive multi-award-winning short.
Lado Kvataniya & Sergey Kolesov detail how they worked together to reflect the pernicious role of modern day propaganda in their caustic animated music video.
Ewa Smyk tells DN how she combined 3D modelling with hand-drawn 2D animation to speed up the lengthy creation process of her NFTS grad short.
Lucas Hrubizna shares his experience of pushing volumetric capture technology to achieve the eerie visuals of his music video compilation.
With blocky colours, sharp-lines and an Eastern Bloc-inspired aesthetic, David Zamorano explores the futility of serving your country.
Toberg joins us to discuss assembling a human habitat in order of “critical” to “superfluous” in his epic continuous shot RCA short 'Pile'.
Kai Stänicke details how he drew inspiration from the animation styles of 80s & 90s German abstract films for his admonitory time crunch short ‘Pace’.
Join the talented filmmakers featured on DN by submitting your film now (full submission details here).
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