Directing children through emotionally weighted material, Saul Abraham focusses in on the construction of his tender school photos collaboration with Truman.
Victor Nauwynck discusses how pivoting from a planned, restrained visual style to reactive handheld cinematography unlocked his film's animalistic crescendo.
Alex Sovoda breaks down tension building in a single location, using static wide shots and chaotic close-ups to turn a games night into a pressure cooker.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
Barnaby Blackburn discusses why he wanted to lead his audience unwillingly through the high tension drama of his tale of sibling rivalry and false bravado.
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