Nick Richardson shares how the women he grew up around inspired his intimate character study of a middle-aged woman who suddenly finds her life in freefall.
From static shots to controlled chaos, Max Kane breaks down how he used dynamic cinematography to mirror his protagonist's emotional psychological journey.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Ada Player & Bron Waugh explain how they adapted their stage monologue for film, found London's loneliest brutalist locations and crafted a loveable doormat.
Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
From NFTS first year film to Cannes red carpet: Vida Skerk reflects on embracing subtlety over spectacle for her history making La Cinef selected short film.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
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