Animation, Art & Fashion
22nd July, 2020
Chiara Feriani takes DN through the 4 month long challenge of breathing digital life into the Popovy Sisters' beguiling art dolls in CGI short 'Human?'
Film Festival, Live Action, Podcasts
20th December, 2019
Maura Delpero reveals how she built cohesion between the professional, non-professional and child performances needed for her drama debut 'Maternal'.
25th November, 2019
Daniel Marini shares how he created a powerful through the looking-glass reveal without the use of VFX for his unflinching EVAW single-shot campaign film.
Art & Fashion, Asides
16th September, 2019
The Blink Fish take us on a guided tour of the unique guests residing in the Mandarin Oriental hotel in Milan Fashion Week short 'Hotel MFW'.
9th August, 2019
Dan Sadgrove explains how despite solo shooting & navigating a language barrier he was able to capture a thrilling ancestral horse race born from legend.
18th July, 2019
Francesco Di Giorgio reveals to DN how he formed a narrative to base his showreel in, creating an experimental work open to interpretation.
Art & Fashion
Giulia Achenza tells the story of a body artist who embarks on a journey of creation after tragedy derails her idyllic life in fashion short 'Olympia'.
17th July, 2019
Andrea Marini's pays tribute to chef Massimo Bottura’s edible masterpiece 'Camouflage: A Hare In The Woods' in his visually-arresting short film.
10th May, 2019
Andrea Vinciguerra joins us to discuss how people watching while listening to music on headphones, led him to create his dance-fuelled stop-motion short.
Animation, Asides, Music
24th April, 2019
A menagerie of colourful critters populate the world of Marco Puccini’s new animated music video for YGT track 'Eleventh Century'.
18th March, 2019
Elena Petitti di Roreto tells DN why she felt compelled to convey the danger of global warming within the frame of a horror short in 'Let it Pour'.
7th March, 2019
Emanuele Kabu sets out on an animated journey towards an unknown destination which guarantees neither happiness nor control in 'Witchin’ Hour'.
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