Art & Fashion
17th August, 2021
Tony Wang reveals how the creative distillation of his dance film resulted in its emotive choreography being captured in a single observational shot.
28th April, 2021
Thomas Vernay returns to DN to discuss the production of his single-take music video 'Bad Things', a romantic ode to freedom, love and the open road.
10th March, 2021
Tomer Shushan discusses investigating the different layers at play in Israeli society through his tense Oscar shortlisted one-take short 'White Eye'.
19th November, 2020
Andree Ljutica delineates the loose rehearsal process and musical shooting rhythm of his sixteen minute one-take drama 'How To Say I Love You At Night'.
Live Action, Premiere
9th October, 2020
Henry Young walks DN through the slick execution of his one-shot drama 'The Big Nothing' which sees two young women ponder the meaning of existence.
1st October, 2020
Charlie Reader reveals how he captured today's feeling of isolation through the power of science fiction in Novo Amor music video 'If We're Being Honest'.
6th August, 2020
rubberband. embraced the limitations of filming under quarantine to create 'The Ceiling' — a unique take on the music video filmed over one night.
16th July, 2020
Ben Dean shares his experience making music video series 'Shelter in Place', 7 diverse one-shot dance films that explore the range of emotions in lockdown.
12th June, 2020
David Abramsky details the rigorous preproduction process and memorable audience responses from his one-shot comedy/drama, 'Dad Joke'.
31st March, 2020
Patrick Muhlberger returns with one-shot comedy 'Hot Dog' and explains why he abandoned his usual stylish tricks in favour of an energetic roving camera.
6th March, 2020
We talk to director Devon Mussett about capturing a devastating round of sad girl karaoke in a single shot for Jillian Lake's break up anthem 'Oliver'.
3rd December, 2019
Jehnny Beth & Anthony Byrne cause a mighty ruckus on Manchester's streets in their new one-shot video for Peaky Blinders soundtrack single 'I'm The Man'.
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