Dave Paige shares the inciting awkward massage which triggered his amusement, sparking the idea for his darkly comedic tale of socially anxious politeness.
Alex Bush talks about reappropriating tropes of classic melodramas for their proof-of-concept short where two friends begin exploring their gender variance.
David Leon reveals how he tonally distinguished the three worlds of his allegorical tale cautioning against making the same mistakes as those who came before.
Lucas Vilicich unravels how his short evolved from screaming frustrations at the world to engaging audiences with a comedic forewarning against technology.
Gregory Shell explains why he was determined to work with non-actors for his film about a young man struggling with life after returning from military service.
Krit Komkrichwarakool walks us through how he blended magical realism with grounded storytelling to explore the complex dynamics of modern relationships.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
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