Live Action, Premiere
27th October, 2021
Harry Sherriff explains how he used the application deadline for the NFTS as a creative motivator when conceiving his deliciously dark, surreal meta-comedy.
18th October, 2021
Tobias Rud discusses animating the dangers of romantic compromise in his film about a woman's desperate attempts to satisfy her partner's unusual desires.
15th October, 2021
Co-Directors Tom & Theo deconstruct the heist sequence of their strange crime-infused music video for Cheap Electric Pink Wool's '01G'.
5th October, 2021
Liam Tangum explains how he captured the beautiful vistas of the Deep South for his small-town fraternal crime drama 'Toomsboro'.
24th September, 2021
Tsubasa Matsumoto explains how he composited the lofty ideas of his expansive drama 'Prelude' specifically for the big screen experience.
15th September, 2021
Robin Summons details the in-depth domestic abuse research and technical camera work which empathically frame's the victim's perspective in 'Occupation'.
7th September, 2021
Stanley Xu discusses using metafiction to play with genre and representation in his portrayal of the different ways we can remember past relationships.
2nd September, 2021
We talk to Eli Powers about using intimate handheld frames, moody guitar licks & layered performances to create an affecting portrait of grief in 'Fish'.
31st August, 2021
Andrew Wonder & Colleen Dodge discuss the slow motion, modified camera lenses & attention to detail of their celebration of a uniquely American tradition.
12th August, 2021
Matthew Wade tells DN why he wanted to embrace the natural disintegration of his images for memorising animated sci-fi trip 'Eyes at the Specter Glass'.
11th August, 2021
Ben Marshall walks us through the advantages he found of structuring his comedy short's hectic shooting day to allow for the magic of improvisation.
6th August, 2021
Folkert Verdoorn breaks down the rhythmic editing structure he utilised to convey a popstar's bizarre pre-show ritual process for comedy 'The Performer'.
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