Live Action, Premiere
Chloe Sarbib explains why she deliberately engendered shifts in her directing style for her heartfelt music drama about identity and self-examination.
Eilidh Nicoll discusses the practical and creative purpose behind the stark black, white, pink and green colour scheme of her short about ageing insecurity.
Mitch deQuilletes talks to us about tapping into the confusion and stress of emerging zillennial artists in his comedy about an unaware obsessive writer.
Ewa Smyk tells DN how she combined 3D modelling with hand-drawn 2D animation to speed up the lengthy creation process of her NFTS grad short.
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