Directors Notes is happy to share the thoughts and experiences of some of the world's most talented filmmakers. They are our very welcome Guest Authors.
Ben Kitnick reveals how improvisation was a key ingredient of his quirky comedy about a Y2K doomsday cult's mass suicide plans gone awry 'Exit Statement'.
Evgenii Bakirov combines photographer Aleksandra Kirievskaya's work with the thoughts of those who know her best for striking profile doc 'Shot by Sasha'.
Carol Freeman reveals how a team of animators worked error-free for 14 months across nearly 4500 paintings for paint-on-glass short 'The Bird & the Whale'
Daniel Marini shares how he created a powerful through the looking-glass reveal without the use of VFX for his unflinching EVAW single-shot campaign film.
Matt Kazman shares how his morbidly funny swipe at the 1% 'Father Figurine' was inspired the first family & helped along by a mould of an old man’s head.
Meredith Hama-Brown reveals the pivotal role light played in conveying the shifting tones of her surreal journey to the afterlife in 'And, We Disappear'.
When the past merges with the present, two half brothers get a last chance to say goodbye in Jon Olav Stokke's fractious family drama 'Our Father's Cabin'.
Ross Allen shares how he subverted audience expectations in his exploration of the paradox of loving eternally whilst fearing the end 'The Limit of Love'.
Director Adam Kiers tells DN why he wanted to pay homage to Sydney's Glenview Court in his beautifully stylised dance music video for No Mono's 'Finally'.
Asher Jelinsky weighs up the risks & rewards of living as our authentic selves in their story of a transwoman mechanic whose separate lives begin to merge
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