Hector Bell discusses crafting a character whose private vice literally erupts across his girlfriend's skin, every visit blooming as her fresh personal hell.
James Siewert's music video whisks us from the birth of modern society, to it's capitalist systems now creaking at the seems, and it's inevitable demise.
Iris Breward digs into her method for crafting a comedy of avoidance where a couple in a bed, post-coital, deploy every weapon except honesty, and both lose.
Thomas Laurance deconstructs the unequivocally independent process of his joyfully crude sub-£100 comedy short lampooning the toxic pressure to make good art.
Huse Monfaradi outlines the less-is-more 3:2 static framing amplifying an intense confrontation where a prisoner racked with guilt meets his victim's parents.
Chi Thai explains why genre filmmaking was the only framework able to hold the horrific weight of her short depicting the trauma of a tragic refugee crossing.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
Dan Braga Ulvestad takes us inside the stripped-back approach, actor trust and delicate existential dialogue which were central to his grounded breakup short.
Leve Kühl explains the power that POV had to place viewers within the perspective of someone seeking safety and stability for his refugee's journey short.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
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