Anna Guseva outlines why 35mm film was the appropriate shooting format for her time-spanning dance short/music video traversing Dom Radio's rich history.
Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Ali Sohail Jaura explains how centring his Karachi massacre drama on its female protagonist shifted the trajectory of his heartbreaking short for the better.
Michael Jobling speaks about purposely avoiding the typical approach to working class stories in his short showcasing a man’s gruelling emotional journey.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Beej Harris discusses building two distinct realities for his film highlighting the help available for students faced with the prospect of school expulsion.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
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