Art & Fashion, Premiere
Filmmaker Alexandra Bas explains her creative process operating as both director and cinematographer on her vibrant fashion short.
Read more
Live Action
Simone Smith explains how she used visually outré imagery, claustrohobic frames and rear projection to find the madness of a chaotic family.
Live Action, Premiere
Theo Gee and Ian Bousher detail how they echoed their protagonist's inner turmoil through the detailed production design of their claustrophobic set.
Jamie Wanstall breaks down the technicality behind the palpable tension and uneasiness in the cinematography of his folk horror short.
Nick Flügge speaks to DN about using black & white, academy ratio and unintelligible dialogue to poke fun at the earnest eco-documentary format.
Zachary Rubin talks to us about using careful, retro framing, a claustrophobic atmosphere and a deadpan spirit to question the potential of future tech.
Subscribe to our weekly newsletter and never miss the latest independent film news