Isher Sahota explains how he struck the right tonal balance of comedy and skulduggery for his darkly comic period drama about self-interested backstabbing.
We speak to Dee Meaden about the dramatic importance of the small moment coupled with an unhurried editing style in short 'Some Things Mean Something'.
DN speaks with Amelia Hashemi at BFI Flare about the shooting logistics of a nightclub, difficulties with the casting process, and clever camera tricks.
Director Matt Houghton explains to DN how he hopes to "draw attention to something often overlooked" with his powerful Film London doc short 'Landline'.
Fateme Ahmadi talks to DN about the intense camera work of 'Bitter Sea' her short film about an immigrant mother's hope of a better life for her daughter.
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