Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
Michael Rees talks us through prioritising a chaotic tone over script-specific dialogue to great comic effect in his short film about a double-booked Airbnb.
Michael Anthony Kratochvil extols the rewards of rejecting appeasement and embracing the creative instinct of the peculiar for his trippy sci-fi horror short.
Amir Zargara talks through the difficult social implications of making his political film about a wrestler speaking out against the Iranian government.
Leo Villares details the creeping zooms accentuating the dark comedic anxiety of his protagonist as he wrestles against the teachings of a wellness cult guru.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
Audrey Mascina talks about the importance of audiences seeing representations of powerful women on screen like those in her late night deserted road set drama.
Julia Zlotnick walks us through how she melded the artistic worlds of narrative and dance for her visceral, emotionally charged short about mental health.
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