"There’s nothing funnier than what’s not said." Kyle Jon Shephard on the high comedy glances in his film about a father whose ego refuses to read the room.
Ruhi Radke on making the unsexiest sex story ever and a representation of the first time that's funny, shaming, and ultimately a love story with herself.
Amandine Thomas & Gerardo Coello Escalante explain why they broke the fourth wall to implicate viewers in the uncomfortable economic realities of mass tourism.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Faced with a flawed ending, George-Alex Nagle explains how a reshoot led to a more complex and ultimately superior conclusion for his fraught familial drama.
A reimagining of vampiric transformation, Jason Bock speaks about rejecting clichés to find the raw emotional truth of undergoing a horrific visceral change.
Oli Beale unpacks the enjoyable process of brainstorming cancel-worthy barbs for his payback comedy, where humour and cruelty balance on a razor’s edge.
Louisa Connolly-Burnham discusses using long takes to place us in the visceral tension of her depiction of a woman's lack of consent being repeatedly ignored.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
Colin O'Toole talks about using tension as the narrative fuel of his comedy where a couple in a waning marriage try an unconventional method of reconnection.
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