With his debut feature up for 7 BIFAs James Krishna Floyd discusses the rich complexity of characters who wear masks and the beauty of realism drag on screen.
Sophie Compton & Daisy-May Hudson extol the benefits of the co-created trauma-informed filmmaking model underpinning their LFF award winning documentary.
Sophie Compton & Daisy-May Hudson speak to the importance of flattening outdated hierarchical structures of filmmaking for their trauma-informed documentary.
Weiland & Constantine deconstruct the 6 camera coverage needed to capture the set-piece of their heart-pounding short about France’s only female bull-jumper.
Cécile Embleton & Alys Tomlinson speak to us about the multi-year journey of their Grierson Award winning doc about a young nun facing deep inner conflict.
Samuel Häkkinen & Henna Välkky talk pre-shoot planning and splitting creative responsibilities on set for their dark comedy poking fun at decision paralysis.
Robert Higgins & Patrick McGivney reveal how their Paul Mescal & Dafhyd Flynn starring Irish short allowed them to cultivate ideas for their debut feature.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.
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