Best Documentary winner at the London Film Festival Benjamin Ree talks 'The Painter and the Thief' his strange empathetic take on the artist/muse genre.
Kenneth Karlstad's experimental approach to the cinematic form sees reality give way to a delusionary existence in disorientating short adaptation 'Sult'.
Truls Krane Meby walks DN through the challenges of conveying an honest on-screen representation of the migration experience for refugee drama 'Mobile'.
Marius Myrmel explains why he felt compelled to create an intimate portrait of 3 teenage boys struggling to gain validation from their peers in 'Armor'.
When the past merges with the present, two half brothers get a last chance to say goodbye in Jon Olav Stokke's fractious family drama 'Our Father's Cabin'.
Anna Fredrikke Bjerke talks to us about using the Nordic landscape as an expressive canvas for her intimate portrait of the grieving process in 'Outline'.
Niels Windfeldt reveals how meticulous planning gave way to the harsh realities of freezing underwater filming in his experimental short 'Rising Water'.
DN speaks to director Erik Poppe about the moral and cinematic considerations which led him to recreate Norway's Utøya tragedy in a gruelling single shot.
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