James Button delivers a duck-themed apocalypse nobody knew they needed: a no-budget, one-man Welsh comedy horror that gleefully makes filmmaking fun again.
Nathan Mark Ginter's 16mm NEON & Kodak supported practical FX anti-rom-com centres a wounded, otherworldly creature as it stress tests a couple's relationship.
Eros V reveals the lo-fi techniques used to bring a possessed puppet to life for his BIFA nominated short about a man-child who desperately need to grow up.
Freddie Bonfanti breaks down the intersection of masculinity and nature in crisis providing the backdrop to his unsettling, family-centred horror short.
Lado Kvataniya walks us through the thematic importance and physical practicalities of the central moveable wall in his anti-conflict focused music video.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
“Look at this weird thing on the ground. It looks like a crow!” - how the discovery of a strange object in a car-park in Florida led director Brian Lonano
"It's fucking fun to shoot" - director Chris McInroy is a man who obviously loves his job. He's passionate about movies and he's passionate about practical FX.
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