Director Griffin Stoddard joins DN to discuss the director's cut of his mournful music video for singer-songwriter Morgan Saint's 'God Bless Our Souls'.
Kaayla Whachell & Brock Newman explain why they chose to create a feminist film that was a true collaboration between women & men in 'Single Persephone'.
DN talks to Vincent René-Lortie about collaborating with Trip The Light Fantastic for temporal nightmare dance film 'The Man Who Traveled Nowhere in Time'
DN kicks off a monthly showcase of Dee Meaden's work with 'Good News', the story of a religious community disrupted by the arrival of a contrary newcomer.
Tanmay Chowdhary discusses the unconventional approach of hybrid narrative-doc 'Color of November', a portrait of the relationship between two young women
Skyler Fulton tells DN how he traced the significant moments of his father’s life as witnessed by his trusty timepiece for Casio spec ad 'A Good Watch'.
We speak to Paul Stein about drawing inspiration from the work of Jim Jarmusch & the focus shooting on film provided for split perspective shorts 'UMI'.
Patrick Knot tells DN how he headed to France to capture a symbolic journey into the spirit of Bauhaus in 100th anniversary commemorative short 'Courage'.
We talk to Tomas Leach about 'The Day Ray Impaled Himself on the Fence' - the story of a woman who reflects on her culpability for a childhood accident.
Stathis Athanasiou discusses stealing unapologetically, the creativity of limitations and expressing female fury in music video trilogy short 'Rage Park'.
Daniel Drummond tells DN about how audiences from all over the globe have resonated in similar ways to the grounding in his blue-collar drama 'A Foreman'.
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