Matt Kazman shares how his morbidly funny swipe at the 1% 'Father Figurine' was inspired the first family & helped along by a mould of an old man’s head.
Charles Pieper talks to DN about working with legendary effects artist Gabe Bartalos to create the creature for fantastical horror short 'Malacostraca'.
When the past merges with the present, two half brothers get a last chance to say goodbye in Jon Olav Stokke's fractious family drama 'Our Father's Cabin'.
Ross Allen shares how he subverted audience expectations in his exploration of the paradox of loving eternally whilst fearing the end 'The Limit of Love'.
We sit down with Jeremy Merrifield to learn how he used the superhero mythos to explore the issue of toxic masculinity in his AFI thesis short 'Balloon'.
We speak to Alison James about the challenges of taking a camel's perspective for her remarkable scripted, no-dialogue, live action short 'Judas Collar'.
Myriam Raja discusses her time at the NFTS, doubling rural Spain for 1800s India & utilising the power of silence in her coming of age grad short 'Azaar'.
A mother & daughter attempt to reconnect after dealing with the death of a beloved family member in Kana Hatakeyama’s quietly observed short Okaasan (Mom)
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