Davi Pena delves into the construction of the nihilistic visuals of 'Eyes of Eidolon', his brutalistic fable about a remote loner's psychological descent.
Raphael Gonzalez explains how he delivered a witty, thoughtful portrayal of the bonds of friendship in his dark, impossible request comedy 'The Living'.
Hinaleimoana Wong-Kalu explains the extreme care taken to authentically tell a treasured Hawaiian story of old about ancient power forgotten in 'Kapaemahu'.
Ciaran Lyons walks us through the challenges of shooting in Scotland's remote highlands for his dark folklorish tale of an isolated driver 'The Motorist'.
Caleb Slain reveals the important relationships his crew established to tackle the personal subject matter at the heart of his lifespanning film 'Enough'.
We chat to the creative trio behind doc short 'Invisible Monsters and Tomato Soup' about using animation to navigate through people's angst-ridden dreams.
Eugen Merher discusses the challenges of shooting in Ukraine and executing a production reset in under a minute for his neo-noir romance short 'Marry Me'.
Behnam Taheri & Gideon Beresford talk to DN about filming intimate scenes of disembodied romance for their outrageously hands-on comedy 'Seeds of Love'.
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