Krzysztof Skonieczny talks through deploying flowing Steadicam shots and black & white cinematography in a bleak evocation of a man's personal purgatory.
Matthew Wade tells DN why he wanted to embrace the natural disintegration of his images for memorising animated sci-fi trip 'Eyes at the Specter Glass'.
Skinner Myers reveals how he captured the legacy of a Black man wrongfully murdered over 100 years ago on 35mm film in biographical drama 'Frank Embree'.