Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Krzysztof Skonieczny talks through deploying flowing Steadicam shots and black & white cinematography in a bleak evocation of a man's personal purgatory.
Matthew Wade tells DN why he wanted to embrace the natural disintegration of his images for memorising animated sci-fi trip 'Eyes at the Specter Glass'.
Skinner Myers reveals how he captured the legacy of a Black man wrongfully murdered over 100 years ago on 35mm film in biographical drama 'Frank Embree'.