Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Jaja Meloche explains why she wanted a bold female character to lead the narrative in her powerful coming of age drama exploring the grey area of consent.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Jimmy Goldblum discusses up-ending typical true crime missing girl tropes in his short following a teen girl who inserts herself into a life that isn’t hers.
Melina Valdez unpacks her process of weaving magical realism into a grounded narrative informed by personal experience to portray the tumult of teenage grief.
Nick Bentgen reveals the free-flowing, mixed format, organic shooting process of his doc about a group of free spirited teens in the outer boroughs of NYC.
Christian Meola opens up about discovering new narrative territory and a widely diverse range of responses to his emotionally intense coming of age drama.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
A deeply personal film years in the making, Vincent René-Lortie details the intimate approach needed to bring the true story of his troubled friend to screen.
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